{"id":710,"date":"2017-01-28T10:24:47","date_gmt":"2017-01-28T10:24:47","guid":{"rendered":"http:\/\/mariaqb.com\/wpress\/?page_id=710"},"modified":"2024-04-26T07:41:07","modified_gmt":"2024-04-26T07:41:07","slug":"text","status":"publish","type":"page","link":"https:\/\/mariaqb.com\/wpress\/?page_id=710","title":{"rendered":"Text"},"content":{"rendered":"<p><em>Instagram: <a href=\"https:\/\/www.instagram.com\/mariaqbrising\/\">@mariaqbrising<\/a><\/em><\/p>\n<p><em>Ombes\u00f6rja m\u00f6rkret och slipa fram ljus.<br \/>\n<\/em><em>Begr\u00e4nsa den \u00f6verv\u00e4ldigande helheten genom teckning.<br \/>\n<\/em><em>Tjock, geggig sv\u00e4rta. P\u00e5 vit, len, h\u00e5rd yta. <\/em><\/p>\n<p>Ut\u00f6ver mina teckningsobjekt och pappersinstallationer i st\u00f6rre skala, arbetar jag med mindre verk som accentuerar och skapar sp\u00e4nning. Jag anv\u00e4nder\u00a0blyerts och vattenl\u00f6slig grafit p\u00e5 laminatskivor. Den vita laminatytan g\u00e5r att sudda och slipa fram p\u00e5 ett s\u00e4tt som skiljer sig fr\u00e5n papper. Teckningsobjekten fixeras sedan med flera lager fixativ.<br \/>\nDet finns en aspekt av mots\u00e4gelse i materialet; uttrycket kan tolkas som primitivt men samtidigt ha en industriell utstr\u00e5lning. Jag s\u00f6ker en direkthet i gestaltandet; att teckningsbilden n\u00e4st intill \u00f6verg\u00e5r i \u201dfysisk materia\u201d, som ett helt eget v\u00e4sen. En motsatsernas syntes mellan den skitiga sv\u00e4rtan och den lena vita ytan. Associationer under processen kan vara m\u00e4nniskokroppens komplexitet och &#8221;falska symmetri&#8221; men ocks\u00e5 arkitektur, symboler och tecken fr\u00e5n ok\u00e4nda dimensioner eller fiktiva religioner.<br \/>\nParallellt arbetar jag \u00e4ven med skulpturala tygobjekt d\u00e4r den blytungt metalliska \u00f6msom organiskt smutsiga grafitsv\u00e4rtan st\u00e4lls mot sk\u00f6ra och l\u00e4tta uttryck. Med en omsorgsfull beslutsamhet, och en arkitektonisk djupverkan, framkallar verken en sorts mentala skulpturala tillst\u00e5nd. P\u00e5 senare \u00e5r har olika kroppsbaserade performances utgjort ytterligare en dimension i min teckningsprocess.<\/p>\n<p>\u201dMaria Q Brisings nonfigurativa grafitm\u00e5lningar \u00e4r laddade b\u00e5de med natur och arkitektur, samtidigt \u00e4r det som om Barnett Newmans renskrapade vertikal sl\u00e5r rot eller sl\u00e5r ut i ov\u00e4ntad blom: postindustriellt, apokalyptiskt, fast ocks\u00e5 det k\u00e4nns som otillfredsst\u00e4llande n\u00e4rmeord.\u201d<br \/>\n\/Mikael Olofsson 2016<\/p>\n<p>Bio in english:<br \/>\nMaria Q Brising, MFA Valand Academy, University of Gothenburg. As a visual artist and cultural educator, Maria is working with exhibitions as well as different educational projects. Her graphite drawings on white laminated boards appears to be a synthesis of contradictions, where symmetry battles with darkness and light. The raw and thick graphite against vibrating sensible light. The expression of the work can be interpreted as primitive, yet with an enigmatic industrial aura. Architectural emblem explodes and implodes in the deep of human mental states.<br \/>\nExhibitions at various Swedish art museums and galleries, representation in Public Art Agency Sweden, Swedish art museums and municipalities. Selected grants: working grants by The Swedish Arts Grants Committee in 2012, 2016 and 2022, Eric Ericson Foundation and Fredrik Roos Artist Fund in 2008.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Instagram: @mariaqbrising Ombes\u00f6rja m\u00f6rkret och slipa fram ljus. Begr\u00e4nsa den \u00f6verv\u00e4ldigande helheten genom teckning. Tjock, geggig sv\u00e4rta. P\u00e5 vit, len, h\u00e5rd yta. Ut\u00f6ver mina teckningsobjekt och pappersinstallationer i st\u00f6rre skala, arbetar jag med mindre verk som accentuerar och skapar sp\u00e4nning. Jag anv\u00e4nder\u00a0blyerts och vattenl\u00f6slig grafit p\u00e5 laminatskivor. Den vita laminatytan g\u00e5r att sudda och slipa [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":66,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-notitle.php","meta":[],"_links":{"self":[{"href":"https:\/\/mariaqb.com\/wpress\/index.php?rest_route=\/wp\/v2\/pages\/710"}],"collection":[{"href":"https:\/\/mariaqb.com\/wpress\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mariaqb.com\/wpress\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mariaqb.com\/wpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mariaqb.com\/wpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=710"}],"version-history":[{"count":8,"href":"https:\/\/mariaqb.com\/wpress\/index.php?rest_route=\/wp\/v2\/pages\/710\/revisions"}],"predecessor-version":[{"id":1460,"href":"https:\/\/mariaqb.com\/wpress\/index.php?rest_route=\/wp\/v2\/pages\/710\/revisions\/1460"}],"up":[{"embeddable":true,"href":"https:\/\/mariaqb.com\/wpress\/index.php?rest_route=\/wp\/v2\/pages\/66"}],"wp:attachment":[{"href":"https:\/\/mariaqb.com\/wpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}